May 24, 2013
lastofthethymelords:

perma-scowl:

In 1941, the U.S. began to form a hand-picked army to fight in Europe. What made it different is that its troops were composed of artists, designers, actors, meteorologists, and sound technicians, and their true mission was not to fight, but to deceive the German army. Their props were inflatable tanks and pyrotechnics; their tools camouflage, “spoof” radio plays, special effects, and sonic deception. Their last “disappearing act” was to vanish from history. Officially they were designated as the 23rd Headquarters Special Troops, the first and last battlefield deception outfit ever authorized by the U.S. Army.

SPIDEY!
It’s got to go into Geryon.  Maybe this is what Amy is doing during the war.

Hell with that.  I’m going to be one of these guys and get a sweet-ass badge.

lastofthethymelords:

perma-scowl:

In 1941, the U.S. began to form a hand-picked army to fight in Europe. What made it different is that its troops were composed of artists, designers, actors, meteorologists, and sound technicians, and their true mission was not to fight, but to deceive the German army. Their props were inflatable tanks and pyrotechnics; their tools camouflage, “spoof” radio plays, special effects, and sonic deception. Their last “disappearing act” was to vanish from history. Officially they were designated as the 23rd Headquarters Special Troops, the first and last battlefield deception outfit ever authorized by the U.S. Army.

SPIDEY!

It’s got to go into Geryon.  Maybe this is what Amy is doing during the war.

Hell with that.  I’m going to be one of these guys and get a sweet-ass badge.

9:54pm  |   URL: http://tmblr.co/ZvyvCxllsqE_
  
Filed under: life goals spooky 
May 24, 2013
I haven’t laughed this hard in a while.  There are tears, people.

I haven’t laughed this hard in a while.  There are tears, people.

(Source: neilcicierega, via wewters)

May 24, 2013
thesanityclause:

brokenlynx21:

Janelle Monae-  A funky girl with a lot of soul!

Love these.

thesanityclause:

brokenlynx21:

Janelle Monae-  A funky girl with a lot of soul!

Love these.

(via rampaigehalseyface)

May 24, 2013

whimsywillow:

publius-esquire:

Founding Father Pin-Ups, 2nd Ed.: Tread on Me

I have no idea why someone decided to make this, but I’m glad they did.

If you don’t click through and read the text, you’re missing out.

May 23, 2013
I tried to scroll by, I swear.
But the Emperor is far too sassy.
Am I the only one who thinks he and the Chief from The Road to El Dorado would get along great?

I tried to scroll by, I swear.

But the Emperor is far too sassy.

Am I the only one who thinks he and the Chief from The Road to El Dorado would get along great?

(Source: disneygentsfromlastnight)

May 23, 2013

what if batwings are just the extreme limits of yaoi hands

May 23, 2013

whimsywillow:

simplydalektable:

nevillegonnagiveuup:

justanotherdayinlife:

animalcrackersinmyblog:

totallynotagentphilcoulson:

I just got this joke. Granted, the last time I actually sat down and watched the whole movie was when I was 14, but for my entire life I thought it was a “you two are not good looking people” joke. I just realized it’s a “that’s obviously a dude in drag, but I don’t care about who you love when it comes to love” joke.

My god am I a fucking idiot.

She fucking throws glitter. How much more obvious does it get.

THE FUCKING EPIPHANY.

Apparently, in the Norwegian version she actually says “Brave of you to come out of the closet.” 

OH MY GOD

You love who you love; what’s there to do about it?
Go out to dinner I guess.

(Source: disneyyandmore)

May 21, 2013
omelaas:

nachttour:

newvagabond:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.
The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”
The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.


AwwWWWWWWAHHHHHHHHHHHH.

*weeps all over the place* I have robot feelings, okay? 

Always reblog bot feels.

omelaas:

nachttour:

newvagabond:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.

The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”

The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.

AwwWWWWWWAHHHHHHHHHHHH.

*weeps all over the place* I have robot feelings, okay? 

Always reblog bot feels.

(via rampaigehalseyface)

May 20, 2013

theywillliveagaininfreedom:

idontseehowthatsapartystark:

thecompassionate:

chasingpictures:

ifyouwerealien:

silentdetonations:

“Tik Tok” by Ke$ha and “Come Together” by The Beatles mashup

image

I… I don’t know how I feel about this.

Reading the song title:

image

While listening to the song:

image

After listening to the song:

image

the gifs are so accurate.

… what. the. fuck. I was actually insulted that someone would do this but then I listened and… oh my lord.

((Wow… talented mixer…))

Dancing now

Ordinarily, I really don’t like the Beatles.  It probably offends somebody or other that Ke$ha makes them likable for me.  

But they can bite me, because I like Palestrina, Bach, Mozart and Ke$ha.  

(via c2ndy2c1d)

May 20, 2013

(Source: wolfpackonly, via c2ndy2c1d)

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